The Gros Horloge at Rouen, Normandy
c. 1832
J.M.W. Turner (1775-1851)
The lighting was rather subdued throughout the Turner exhibit in order to protect the watercolors. However photography was encouraged. It made it difficult to get good photographs. A number of these works were either 'studies' or ideas made by Turner and were not considered to be finished works, and therefore were never really meant to be seen.
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